Film legend, conservative activist Charlton Heston dead at 84

The Associated Press

LOS ANGELES –
Charlton Heston, the Oscar winner who portrayed Moses and other heroic
figures on film in the ’50s and ’60s and later championed conservative
values as head of the National Rifle Association, has died. He was 84.

The
actor died Saturday night at his home in Beverly Hills with his wife
Lydia at his side, family spokesman Bill Powers said. He declined to
comment on the cause of death or provide further details.

“Charlton
Heston was seen by the world as larger than life. He was known for his
chiseled jaw, broad shoulders and resonating voice, and, of course, for
the roles he played,” Heston’s family said in a statement.

Heston revealed in 2002 that he had symptoms consistent with Alzheimer’s disease.

With
his large, muscular build, well-boned face and sonorous voice, Heston
proved the ideal star during the period when Hollywood was filling
movie screens with panoramas depicting the religious and historical
past.

“I have a face that belongs in another century,” he often remarked.

The
actor assumed the role of leader offscreen as well. He served as
president of the Screen Actors Guild and chairman of the American Film
Institute and marched in the civil rights movement of the 1950s.

With
age, he grew more conservative and campaigned for conservative
candidates. In June 1998, Heston was elected president of the NRA, for
which he had posed for ads holding a rifle.

Heston famously used to say that the only way his gun would be taken away is “from my cold, dead hands.”

Former first lady Nancy Reagan said Sunday in a prepared statement that she was heartbroken to hear of Heston’s death.

“I
will never forget Chuck as a hero on the big screen in the roles he
played, but more importantly I considered him a hero in life for the
many times that he stepped up to support Ronnie in whatever he was
doing,” she said.

The National Rifle Association of America’s Wayne LaPierre said, “America has lost a great patriot.”

Heston
– who once delivered a jab at then-President Clinton, saying, “America
doesn’t trust you with our 21-year-old daughters, and we sure, Lord,
don’t trust you with our guns.” – stepped down as NRA president in
April 2003.

Later that year, he was awarded the Presidential Medal of Freedom, the nation’s highest civilian honor.

Heston
also engaged in a lengthy feud with liberal Ed Asner during the
latter’s tenure as president of the Screen Actors Guild. His latter-day
activism almost overshadowed his achievements as an actor, which were
considerable.

Heston lent his strong presence to some of the most acclaimed and successful films of the midcentury.

“Ben-Hur”
won 11 Academy Awards, tying it for the record with the more recent
“Titanic” (1997) and “The Lord of the Rings: The Return of the King”
(2003). He won the 1959 best actor Oscar as the chariot-racing
“Ben-Hur.”

Heston’s other hits include: “The Ten Commandments,” ”El Cid,” ”55 Days at Peking” and “Planet of the Apes.”

He
liked to cite the number of historical figures he had portrayed,
including Moses (“The Ten Commandments”), John the Baptist (“The
Greatest Story Ever Told”) and Michelangelo (“The Agony and the
Ecstasy”).

Heston made his movie debut in the 1940s in two
independent films by a college classmate, David Bradley, who later
became a noted film archivist. He had the title role in “Peer Gynt” in
1942 and was Marc Antony in Bradley’s 1949 version of “Julius Caesar,”
for which Heston was paid $50 a week.

Film producer Hal B. Wallis
(“Casablanca”) spotted Heston in a 1950 television production of
“Wuthering Heights” and offered him a contract. When his wife reminded
him that they had decided to pursue theater and television, he replied,
“Well, maybe just for one film to see what it’s like.”

Heston
earned star billing from his first Hollywood movie, “Dark City,” a 1950
film noir. Cecil B. DeMille next cast him as the circus manager in the
all-star “The Greatest Show On Earth,” named by the Motion Picture
Academy as the best picture of 1952. More movies followed.

Most
were forgettable low-budget films, and Heston seemed destined to remain
an undistinguished action star. His old boss DeMille rescued him.

The
director had long planned a new version of “The Ten Commandments,”
which he had made as a silent in 1923 with a radically different
approach that combined biblical and modern stories. He was struck by
Heston’s facial resemblance to Michelangelo’s sculpture of Moses,
especially the similar broken nose, and put the actor through a long
series of tests before giving him the role.

The Hestons’ newborn, Fraser Clarke Heston, played the role of the infant Moses in the film.

More
films followed: the eccentric thriller “Touch of Evil,” directed by
Orson Welles; William Wyler’s “The Big Country,” costarring with
Gregory Peck; a sea saga, “The Wreck of the Mary Deare” with Gary
Cooper.

Then his greatest role: “Ben-Hur.”

Heston wasn’t
the first to be considered for the remake of 1925 biblical epic. Marlon
Brando, Burt Lancaster and Rock Hudson had declined the film. Heston
plunged into the role, rehearsing two months for the furious chariot
race.

He railed at suggestions the race had been shot with a
double: “I couldn’t drive it well, but that wasn’t necessary. All I had
to do was stay on board so they could shoot me there. I didn’t have to
worry; MGM guaranteed I would win the race.”

The huge success of
“Ben-Hur” and Heston’s Oscar made him one of the highest-paid stars in
Hollywood. He combined big-screen epics like “El Cid” and “55 Days at
Peking” with lesser ones such as “Diamond Head,” ”Will Penny” and
“Airport 1975.” In his later years he played cameos in such films as
“Wayne’s World 2″ and “Tombstone.”

He often returned to the
theater, appearing in such plays as “A Long Day’s Journey into Night”
and “A Man for All Seasons.” He starred as a tycoon in the prime-time
soap opera, “The Colbys,” a two-season spinoff of “Dynasty.”

At
his birth in a Chicago suburb on Oct. 4, 1923, his name was Charles
Carter. His parents moved to St. Helen, Mich., where his father,
Russell Carter, operated a lumber mill. Growing up in the Michigan
woods with almost no playmates, young Charles read books of adventure
and devised his own games while wandering the countryside with his
rifle.

Charles’s parents divorced, and she married Chester
Heston, a factory plant superintendent in Wilmette, Ill., an upscale
north Chicago suburb. Shy and feeling displaced in the big city, the
boy had trouble adjusting to the new high school. He took refuge in the
drama department.

“What acting offered me was the chance to be
many other people,” he said in a 1986 interview. “In those days I
wasn’t satisfied with being me.”

Calling himself Charlton Heston
from his mother’s maiden name and his stepfather’s last name, he won an
acting scholarship to Northwestern University in 1941. He excelled in
campus plays and appeared on Chicago radio. In 1943, he enlisted in the
Army Air Force and served as a radio-gunner in the Aleutians.

In
1944 he married another Northwestern drama student, Lydia Clarke, and
after his army discharge in 1947, they moved to New York to seek acting
jobs. Finding none, they hired on as codirectors and principal actors
at a summer theater in Asheville, N.C.

Back in New York, both
Hestons began finding work. With his strong 6-feet-2 build and craggily
handsome face, Heston won roles in TV soap operas, plays (“Antony and
Cleopatra” with Katherine Cornell) and live TV dramas such as “Julius
Caesar,” ”Macbeth,” ”The Taming of the Shrew” and “Of Human Bondage.”

Heston
wrote several books: “The Actor’s Life: Journals 1956-1976,” published
in 1978; “Beijing Diary: 1990,” concerning his direction of the play
“The Caine Mutiny Court Martial” in Chinese; “In the Arena: An
Autobiography,” 1995; and “Charlton Heston’s Hollywood: 50 Years of
American Filmmaking,” 1998.

Besides Fraser, the Hestons had a
daughter, Holly Ann, born Aug. 2, 1961. The couple celebrated their
golden wedding anniversary in 1994 at a party with Hollywood and
political friends. They had been married 64 years when he died.

In
late years, Heston drew as much publicity for his crusades as for his
performances. In addition to his NRA work, he campaigned for Republican
presidential and congressional candidates and against affirmative
action.

He resigned from Actors Equity, claiming the union’s
refusal to allow a white actor to play a Eurasian role in “Miss Saigon”
was “obscenely racist.” He attacked CNN’s telecasts from Baghdad as
“sowing doubts” about the allied effort in the 1990-91 Gulf War.

At
a Time Warner stockholders meeting, he castigated the company for
releasing an Ice-T album that purportedly encouraged cop killing.

Heston
wrote in “In the Arena” that he was proud of what he did “though now
I’ll surely never be offered another film by Warners, nor get a good
review in Time. On the other hand, I doubt I’ll get a traffic ticket
very soon.”